Some insight into The Future of Photography based on a Robert Scoble interview of Professor Marc Levoy.
"Photographers, don't miss this one! It's an interview with Thomas Hawk and Marc Levoy, Stanford University Professor, who is
jointly appointed in computer science and electrical engineering. But that's the geeky way of explaining this dude is doing some
radical stuff with cameras. He shows us a camera that can refocus the image AFTER you shoot it! Talks about other research to
stitch images together, digitize statues, among many others."
Advanced Photographic Research at Stanford with Prof. Marc Levoy (200MB, 54 minutes)
Those not on high speed access will probably have to skip the 200MB interview,
MP4 Video Video | Posted by Robert Scoble | October 25th, 2007 12:01am ♦Must see video for those on high-speed access♦
http://www.podtech.net/scobleshow/technology/1663/advanced-photographic-research-at-stanford-with-prof-marc-levoy
Click on the flash popup player button with the arrow to view in a larger screen. For other viewers you might double-click on video, or click on a full screen button
in the lower right corner of the video frame .
The rest of the links were gathered from keyword searching afterwards, and cover most of what was seen in more detail in words and pictures. These additional links were found using keywords from the interview and including "photography" and "Levoy" in the search.
Marc Levoy's publications and CV
http://graphics.stanford.edu/~levoy/publications.html
http://graphics.stanford.edu/~levoy/cv_public.pdf
Patents
Method and system for light field rendering - Patent 6097394 (published 2000)
Apparatus and method for capturing a scene using staggered triggering of dense camera arrays - Patent 20070030342
The Plenoptic Camera allows you to select your plane of focus and depth-of-field after the picture is made, in software. The following five minute summary (18MB) was extracted from the above interview really only covers this one topic of the interview. http://www.podtech.net/scobleshow/technology/1664/highlights-of-marc-levoys-phototalking-interview
The Plenoptic camera is a novel single-lens camera that captures 3-D scene information. A plenoptic image is captured with a single lens and a lenticular lens array at the imaging plane. This image, like an insect's compound eye, consists of multiple sub-images each imaging the scene in front of it, in the plenoptic camera, the main lens aperture is imaged behind each lenticular element.
http://www-bcs.mit.edu/people/jyawang/demos/plenoptic/plenoptic.html
Light Field Photography with a Hand-Held Plenoptic Camera
The 4D light field measures
the amount of light traveling along each ray that intersects
the sensor. One can also think of this as capturing the directional
lighting distribution arriving at each location on the sensor.
The purpose of capturing the additional two dimensions of data
is to allow us to apply ray-tracing techniques to compute synthetic
photographs flexibly from the acquired light.
http://graphics.stanford.edu/papers/lfcamera/
http://graphics.stanford.edu/papers/lfcamera/lfcamera-150dpi.pdf
http://www.digitalcamerainfo.com/content/Stanford-Refocusing-Camera-to-Be-Commercialized.htm
Blog: http://theonlinephotographer.blogspot.com/2006/03/whoooosh.html
"The Moment Camera", paper by Michael F. Cohen and Richard Szeliski (Microsoft Research)
http://research.microsoft.com/~cohen/TheMomentCamera_Final.pdf
Future cameras will let us “capture the moment”, not just the instant when the shutter opens. The moment camera will gather significantly more data than is needed for a single image. This data, coupled with automated and user-assisted algorithms, will provide powerful new paradigms for image making.
- Flash and no-flash, combine a low-noise flash picture and a noisy no-flash picture for a perfect exposure
- Expanded Depth of Field, from multiple exposure or with the Plenoptic Camera.
- Merging multiple exposures (time slices) to capture the moment.
Graphcut Textures: Image and Video Synthesis Using Graph Cuts
Vivek Kwatra , Arno Schödl , Irfan Essa , Greg Turk and Aaron Bobick.
Derivative images chosen from among millions of images for a plausible
image completion to replace an unwanted object.
Graphcut Textures: Image and Video Synthesis Using Graph Cuts
http://www.cc.gatech.edu/cpl/projects/graphcuttextures/
Ray scanning for statues, laser, color -- 4D light field
http://en.wikipedia.org/wiki/3D_scanner
http://en.wikipedia.org/wiki/Light_field
"The Digital Michelangelo Project: 3D Scanning of Large Statues,"
http://graphics.stanford.edu/projects/mich/
Levoy interview, by Noah Adams of National Public Radio's
All Things Considered, June 13, 2000.
http://graphics.stanford.edu/projects/mich/publicity/npr-atc-13jun00/npr-atc-13jun00.WAV
A visit to the marble quarries at Pietrasanta
http://graphics.stanford.edu/projects/mich/pietrasanta-20nov98/pietrasanta-20nov98.html
Science News Online (9/18/99): Sculpting Virtual Reality
3-D models offer new ways of seeing art, By Damaris Christensen"
http://www.sciencenews.org/pages/sn_arc99/9_18_99/bob1.htm
High Performance Imaging Using Large Camera Arrays
Obtaining picture with an array of cameras to shoot through
partially occluded view. Focusing through bushes.
http://graphics.stanford.edu/papers/CameraArray/
Giga pixel images (film to digital) - HD View, stitched in Photoshop 8 images
Gigapixel Panoramas (Microsoft Research)
HD View Beta -- Demonstration: drag to reposition, scroll to enlarge/reduce
http://research.microsoft.com/ivm/HDView/HDGigapixel_Welcome.htm -- Microsoft Research: Gigapxl. HD View: Gigapixel Panoramas, HD View is a new viewer developed by Microsoft Research's Interactive Visual Media group to aid in the display and interaction with very large images. sample images, and links to sites with images.
Gigapxl Project -- http://gigapxl.org/
The Gigapxl™ camera captures single exposures on film with enough
resolvable detail to support scanning at resolutions up to four
billion pixels. Single-gigapixel images are slightly larger than
44,000 x 22,000 pixels in size and four-gigapixel images are twice
as wide and twice as high at 88,000 x 44,000 pixels.
(More information on Gigapxl™►)
Lytro's new Cinema camera could mean the end of green screen, It can capture footage at a ridiculous 755 megapixels per frame, at 300 frames per second. Since Lytro's tech basically captures all the 3D information in a scene, the imagery is unusually friendly to CGI. Placing virtual objects at exactly the right depth in a scene is essentially taking advantage of a native ability of the footage. With the Lytro, the need for green screen goes away. Since the Lytro footage has very specific depth information for all objects in the scene, it's child's play to ditch and replace any part of it.
3D rotations
Seeing into the Past: Creating a 3D Modeling Pipeline for Archaeological
Visualization by P. Allen S. Feiner A. Troccoli H. Benko E. Ishak B. Smith
Department of Computer Science, Columbia University, New York, NY
Archaeology is a destructive process in which accurate
and detailed recording of a site is imperative.
http://www1.cs.columbia.edu/~allen/PAPERS/3dpvt04.1.pdf – P. Allen, S. Feiner, A. Troccoli, H. Benko, E. Ishak, B. Smith
With a video projector providing structured
illumination, reciprocity permits us to generate pictures from
the viewpoint of the projector, even though no camera was present
at that location. (produces 4D lighting dataset)
Canon EOS 20D camera was aimed into a 4x4 array of planar
mirrors, yielding 16 virtual cameras with 800x600 pixels of resolution
each (see Figure 15a). The captured transport matrix can
be used to relight the dual image as if it were illuminated by up to
16 point light sources with .ne angular control (i.e. by 16 virtual
projectors). This is sufficient to simulate soft shadows
http://graphics.stanford.edu/papers/dual_photography/ – SIGGRAPH 2005: Pradeep Sen, Billy Chen, Gaurav Garg,
Stephen R. Marschner, Mark Horowitz, Marc Levoy, Hendrik P. A. Lensch
Photo Tourism, Photo tourism is a system for browsing large collections of photographs in 3D. Our approach takes as input large collections of images from either personal photo collections or Internet photo sharing sites (a), and automatically computes each photo's viewpoint and a sparse 3D model of the scene (b). Our photo explorer interface enables the viewer to interactively move about the 3D space by seamlessly transitioning between photographs, based on user control (c).
Community Photo Collections, With billions of photos now online, these collections should enable huge opportunities in 3D reconstruction, visualization, image-based rendering, recognition, and other research areas.
Microsoft's 196 megapixel camera, Topping out at a whopping 196 megapixels and a native resolution of 17,310 x 11,310 pixels, UltraCamXp can take stereo images at 1 inch GSD with up to 2.5 Gbps data throughput. The company touts the UltraCamXp as the largest format camera available today for aerial photography and will use it soon to improve the quality of terrain imagery used by its Live Maps mapping.
1,001 Cameras See In Gigapixels (sciencedaily 2009-10-09)
Cameras of the future: Heart researchers create revolutionary photographic technique, Scientists at the University of Oxford have developed a revolutionary way of capturing a high-resolution still image alongside very high-speed video
More from Science Daily: site:http://www.sciencedaily.com/ intitle:cameras OR intitle:photography - Google Search
Non-photographic solutions
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